Rasha Salti is an independent film and visual arts curator and writer, working and living between Beirut and Berlin. She began her career working at the Théâtre de Beyrouth, a multi-disciplinary performance and exhibition space in Beirut (1992-1995). She co-curated several film programs including The Road to Damascus, with Richard Peña, a retrospective of Syrian cinema that toured worldwide (2006-2008); The Calm Before the Storm, a Retrospective of Lebanese Cinema, also with Richard Peña and presented at Lincoln Center (2009); and Mapping Subjectivity: Experimentation in Arab Cinema from the 1960s until Now, with Jytte Jensen (2010-2012) showcased at the MoMA in New York.
Salti has collaborated with different festivals as a programmer, including the Abu Dhabi International Film Festival (2009-2010), and the Toronto International Film Festival (2011-2015). She has also curated film programs for the Musée Jeu de Paume (2012, 2013 and 2015) in Paris and the Tate Modern in London (2011). At present she is the commissioning editor for La Lucarne, the experimental documentary program for Arte France.
In 2011, she was one of co-curators of the 10th edition of the Sharjah Biennial for the Arts, and in 2015, she co-curated with Kristine Khouri the exhibition Past Disquiet: Narratives and Ghosts from the Exhibition of International Art for Palestine (Beirut, 1978), at the Museum of Contemporary Art in Barcelona (MACBA), and at the Haus der Kulturen der Welt (HKW) in Berlin, in 2016.
As a writer, Salti’s articles and essays have been published in The Jerusalem Quarterly Report (Palestine), Naqd (Algeria), MERIP (USA), The London Review of Books (UK), Afterall (US) and Third Text (UK), as well as several anthologies dedicated to film, art and culture. In 2011 and 2012, she was invited to be the guest-editor of the Manifesta Journal issues number 14, 15 and 16, published by the Manifesta Foundation. In 2006, she edited Insights into Syrian Cinema: Essays and Conversations with Filmmakers (ArteEast and Rattapallax Press) and in 2009, she collaborated with photographer Ziad Antar on an exhibition and book titled Beirut Bereft, The Architecture of the Forsaken and Map of the Derelict. In 2010, she co-edited I Would Have Smiled: A Tribute to Myrtle Winter-Chaumeny with Issam Nassar, a book dedicated to the legacy of British photographer founder of the UNRWA (United Nations Relief and Works Agency) photographic archive.